Here’s what Mustich has to say about this one (and I swear, some day his name is going to show up as “mustache”) :
Captain Blood, ca. 1937
The Greatest Swashbuckler of Them All
Rafael Sabatini’s perennially popular adventure yarn opens on a tranquil scene: “Peter Blood, bachelor of medicine and several other things besides, smoked a pipe and tended the geraniums boxed on the sill of his window.” The promise inherent in that teasing phrase about extracurricular qualifications is soon realized. Doctor Blood’s quiet life in the seventeenth-century English countryside is shattered when he finds himself unjustly arrested for treason. Convicted, he’s then transported on a slave ship to Barbados, where he eventually escapes from the clutches of a brutal plantation owner during a pirate attack. This sets the stage for Blood’s own career as a pirate—and before long, he is the greatest buccaneer of them all. Raids, sea battles, sword fights, acts of gallantry and low cunning: The stuff of Blood’s action-packed odyssey is recounted with zest and skill, in chapter after page-turning chapter, by a robust, natural-born storyteller. Filled with despicable enemies (in English, French, and Spanish flavors), an attractive romantic interest, and the inspiring élan of a dauntless hero, the book dares you to put it down. You won’t.
Captain Blood and Rafael Sabatini have had millions of admiring readers through the years. According to George MacDonald Fraser, the author of the Flashman books, it is “one of the great unrecognized novels of the twentieth century, and as close as any modern writer has come to a prose epic.”
What: Novel.
When: 1922.
Reading Note: Don’t be put off by Sabatini’s at-times-ornate prose and rich vocabulary (for example, armigerous, pannikin, pusillanimity). Under the spell of his storytelling, you’ll soon come to relish both.
Also By: The Sea-Hawk (1915). Scaramouche (1921). Bellarion the Fortunate (1926). Captain Blood Returns (1931) and The Fortunes of Captain Blood (1936) document further twists and turns in the Blood saga.
Try: The Scarlet Pimpernel by Baroness Orczy. The Prisoner of Zenda by Anthony Hope. Captain from Castile by Samuel Shellabarger.
Adaptation: Captain Blood (1935), one of the silver screen’s grand old swashbucklers, was directed by Michael Curtiz; it features stirring music by Erich Wolfgang Korngold, and—unforgettably—stars Errol Flynn as Peter Blood.
“Some years ago I was asked by a magazine what were the ten most important books in my development. The book I listed first was Captain Blood. Then came Das Kapital.” —Norman Mailer